Monday, 24 October 2016

Modern Rhetoric: The Forms of Discourse and the Main Intentions

Modern Rhetoric
The Forms of Discourse and the Main Intentions
Study materials—Dr. S. Sreekumar & Prof. Mangalapratapan
Introduction
            The term “discourse” comes from the Latin word “discursus”, which means “running to and fro”. Discourse is a process of reasoning, which, as everyone might have experienced at some time or other, involves a ‘to and fro movement’ in the mental space. However, the idea of a mechanical ‘back and forth’ movement disappeared in course of time and is almost non-existent in the definition given to discourse by The Encarta Encyclopedia (2002).  It defines discourse as “a serious and lengthy speech or piece of writing about a topic”, or “a serious discussion about something between people or groups”. The Oxford English Dictionary also agrees with the above observation of Encarta and defines discourse as “a lengthy treatment of a subject” or a “lecture/ speech”.
Literary critics and theoreticians, however, had always used the term in a causal way but with the ascendancy of the discipline of Linguistics after the 1950s, the term “discourse” received a new validity. Moreover, during the 1970s a critical practice called “Discourse analysis” provided a new theoretical significance for the term “discourse”.
            In poststructuralist criticism, discourse has become an important term replacing “text” as the name of the verbal material which is the primary concern of literary criticism. [A note to the scholar: Terms like “novel”, “drama” or “poem” are not preferred by the structuralists and poststructuralists. They want to refer to such materials as “text”. A “text” is any written/spoken material, be it the Bible or a doctor’s prescription].
·         Text and discourse: the term “discourse” has replaced “text”.





·         The deconstructive critical practices view the text as something not at all connected with social/historical conditions.
·         On the other hand, discourse is a social practice. It is language in use. It is not the product of a timeless linguistic system, but of particular social conditions, class structures and other power relationships.
·         In Althusser and other Marxist critics, discourses of the various state machineries are attributable to the social/material conditions and class hierarchy.
·         In Michel Foucault, ‘discourse-as-such’ becomes the central subject of analytic concern.
[In the ensuing pages, we will be closely looking at the Foucaultian as well as the Bakhtinian concepts of discourse and how these have opened a new dimension in literary thinking and dialectics].
  1. Discourse and Rhetoric
The Greeks classified Liberal Arts into two:
                                          TRIVIUM and QUADTRIVIUM
 Trivium.     Logic, Rhetoric and Grammar were considered as the significant parts of Trivium.
Quadtrivium. Arithmetic, Astronomy, Music and Geometry were considered as the significant parts of Quadtrivium.
The concept of “language as discourse” is closely connected to the above perception of Liberal Arts and the role of rhetoric in it.
  1. Discourse and Linguistics.
A new branch of Linguistics, Pragmatics, has defined discourse as “language in use”. Pragmatics is not concerned with language in its abstract form. Dr.Johnson had this in his mind when he defined discourse as ‘mutual intercourse of language”.
c. Discourse and Narrative Theory
Gerald Prince distinguishes two significant meanings for the term ‘discourse’ within the domain of Narrative Theory.
i.                    the expressive plane of a narrative rather than its
content plane   — “the narrating rather than the narrated”.
ii.                  discourse is distinguished from story because the
former evokes a link between “ a state or event and the situation in which that state or event is linguistically evoked”. Onega and Landa call the linguistically evoked situation “discourse situation”.
 I. Views of different Theoreticians
   a. Michel Foucault on Discourse
Foucault, an influential architect of postmodern discourses views discourse in the context of the developments in postmodernism. He projects the multiplicity of meanings and the problematized nature of the spheres of representation. For him, discourses are “large groups of statements” which are “rule-governed language terrains” defined by “strategic possibilities”. Foucault further states that a particular discourse has “a set of rules and conventions and SYSTEMS OF MEDAITION”.
            i. What are the boundaries of discourse?
è Foucault says that the boundaries are created by discursive formations. The term “discursive” is used in opposition to “intuitive” and means “proceeding by argument or reasoning”.
è  A discursive situation arises whenever we can define regularity (order, correlations, positions, functions and transformations) between objects, types of statements, concepts, or thematic choices.
            According to Foucault, every society has to abide by certain procedures during the production of discourses. These procedures can control, choose, assimilate and redistribute any segment. Foucault feels that the purpose of the procedures of discourse is to ward off “powers and dangers”.
The primary argument of Foucault is against supplementing discourses to the brute facts of the world. He is of the view that even these brute facts of the world are enabled or constructed in discourses.
Foucault claims that discourse does not just produce disciplines and institutions and discursive objects—it also produces itself.
Foucault tries to define discourse in The Archaeology of Knowledge thus: “By discourse, then, I meant that which was produced (perhaps all that was produced) by the group of signs. But I also meant a group of acts of formulation, a series of sentences or propositions”. Foucault speaks of clinical discourse, economic discourse, the discourse of natural history and psychiatric discourse.
Edward Said’s theses on Orientalism are very much connected with Foucault’s ideas on discursive formations. Orientalism is the means through which European Culture identified and construed the Orient politically, sociologically, militarily, ideologically, scientifically, and imaginatively.
b. Mikhail Bakhtin on Discourse
Mikhail Bakhtin uses discourse in the sense of the Russian word ‘slovo’.
‘Slovo’ means an individual word or a method of using words that presumes a type of authority.
Hence, authoritative discourse is the privileged language that “approaches us from without; it is distanced, taboo, and permits no play with its framing context”.
On the contrary, internally persuasive discourse is discourse which uses one’s own words, which does not present itself as ‘other’, as the representative of an alien power.
Discourse, which has been made more ‘literary’ and elevated is ennobled discourse . This is less accessible.
 Based on Bakhtin theories, Tzvetan Todorov gives a tissue of textual quotes on discourse: Discourse is language in its “concrete and living totality”. Discourse is language as a “concrete total phenomenon”. Discourse is “utterance”.
Bakhtin’s most influential work, Problem’s of Dostoevsky’s Poetics, refers to discourse as “language in its concrete living totality, and not “language as the specific object of linguistics”. Bakhtin insists that language should not be viewed as something arrived at through a completely legitimate and necessary abstraction from various aspects of the concrete life of the word”. In this work, he also speaks about “double-voiced discourse arising out of “dialogic Interaction”.
c. Roger Fowler on discourse
Roger Fowler, another theoretician, sees discourse from the point of view of beliefs, values and categories. These constitute a way of looking at the world. Different modes of discourse encode different representations of experience; and the source of these representations is “the communicative context within which discourse is embedded”.
Till now, we have seen the critical terrain of discourse embedded in ideology. Both Foucault and Bakhtin have based their explications of the term on ideology. Roger Fowler gives another dimension to the views of Foucault and Bakhtin by bringing in the communicative context.
II. FORM AND FUNCTION OF DISCOURSE   Discourse is primarily composed to accomplish specific functions. Function and form are connected with each other. [The art of writing is associated with the very attempt to give form to ideas]. The process of writing is always associated with the very attempt to formulate a distinct discourse. In this process, we find words generating new ideas and presenting a thesis embodied in a form. There are four kinds of discourses that we employ in our daily life.
è Exposition,
è Persuasion/Argument,
è Description
è Narration.
These four kinds of discourse fulfill four basic needs.
è Exposition = to explain or inform of something/somebody.
è Persuasion/argument = to convince or persuade somebody.
è Description = to describe a thing/feeling.
è Narration = to narrate what has happened.
a. Exposition.
The central tenet of exposition is to explain something, i.e. to clarify an idea to the reader/ audience, to analyze a situation, to define and validate a term or to give directions/ instructions.
b. Persuasion/argument.
Both persuasion and argument attempt at convincing somebody. In persuasion, one attempts to appeal emotionally and tries to bring about a change of attitude. There is limited use of logic in this attitude. In argument, the main intention is to supplement logical means that precipitate change in attitude or point of view.
c. Description. In description the intention is to present the details of what one perceives through one’s senses. Effective description creates a dominant impression and a mood or atmosphere that reinforces the writer’s purpose. Any description involves naming, detailing and comparing.
d. Narration. The primary function of narration is to present an event to the reader—“what happened and how it happened”. It is impossible to render a form without narration to anything we experience. It is an operative mechanism of human consciousness which renders form to any sort of recorded experience or event.
Conclusion
Thus, the forms of discourse signify the immediacy of one’s experience in a context, which in turn, shapes the unity and cohesion in a larger composition.

I am greatly indebted to Mr. Mangalapratapan [ Director, Fluenzy Center, Coimbatore & Pollachi] in the preparation of this study material—Dr. S. Sreekumar

1 comment: