The Insistence of the
Letter in the Unconscious
Summary of the
essay—Lecture notes by S. Sreekumar
PART II
“The
Insistence of the letter in the Unconscious” was originally delivered as a
lecture at the Sorbonne in 1957.
David Lodge writes about the apparent difficulty
of understanding Lacan thus:
“Lacan was a notoriously, wilfully difficult
writer, and the present editor (Lodge himself) certainly does not claim fully
to understand everything in this essay. The algebraic formulae for metaphor and
metonymy, for instance, seem designed to mystify and intimidate rather than to
shed light.”
Summary of the essay
Psychoanalysis
aims to understand and, if possible, cure the disturbances caused by the
pressure of the unconscious upon conscious existence as manifested by neurotic
symptoms, dreams etc. Orthodox Freudian doctrine views the unconscious as
chaotic, primordial, instinctual, preverbal. Lacan’s most celebrated dictum is: “the unconscious is
structured like a language”.
This
means that psychoanalysis as a discipline must borrow the methods and concepts
of modern linguistics. He also aims at a critique of modern linguistics from a
psychoanalytic vantage point.
At the
outset of the essay Lacan questions Saussure’s assumption that there is nothing
problematic about the bond between the signifier and the signified in a verbal
sign. He provides us an example—the two signifiers ‘Ladies’ and ‘Gentlemen’ may
refer to the same signified, or be interpreted as apparently contradictory
place names.
Language,
the signifying chain has a life of its own which cannot be easily anchored to a
world of things.
Language
system can be represented thus:
Signifier Signifier Signifier Signifier
signified signified signified signified
Signification is always a process——a chain. None of the elements actually ‘consist’ of the meaning. Each signifier ‘insists’ on a meaning, as it presses forward to the next signifier. Meaning is not fixed. “There is a perpetual sliding of the ‘signified’ under the ‘signifier’ [this is an idea borrowed from deconstruction]
“No
meaning is sustained by anything other than reference to another meaning”
Lacan’s
other principal borrowing from modern linguistics was Jakobson’s distinction between metaphor and
metonymy. Lacan identifies these with Freud’s categories of condensation and
displacement.
Metaphor = condensation
Metonymy = displacement
He
identifies neurotic symptoms with metaphor and desire with metonymy.
Lacan’s points: “The other points that emerge from this
dazzling, wayward, teasing discourse” are:
♣ There
is no getting outside language,
♣ Language
is innately figurative,
♣ It is
not transparently referential,
♣ Human
subject is constituted precisely by the entry into language,
♣ The
Christian – humanist idea of an autonomous individual self or soul that transcends
the limits of language is a fallacy and an illusion
DETAILED
SUMMARY
The
essay has 3 parts.
1. The meaning of the letter,
2. The letter in the Unconscious, and
3. Being, the letter and the other.
1
|
. The meaning of the letter.
The psychoanalytic
experience discovers in the unconscious the whole structure of language. The
unconscious is not merely the seat of instincts.
‘Letter’ is the material support which
concrete subject borrows from the language.
Language
must not be confused with the different psychic and somatic functions “which
serve it in the individual speaker”. [somatic= relating to the body of an
organism]
Language and its structure exist prior
to the moment at which each individual at a certain point in his mental development
makes his entry into it.
The speaking subject is a slave of language,
is all the more so of a discourse in the universal moment of which he finds
himself at birth , even if
only by dint of his proper name.
‘Substance
of the discourse’ is not ‘the experience of the community’. This experience is founded in the tradition
created by the discourse itself. The drama of history is written into this
tradition. But before that it creates the elementary structure of culture.
The
ethnographic duality of
nature and culture [refer to Claude Levi Strauss’s ‘nature-culture
binary’ (on incest prohibition) which he calls a ‘scandal’] is giving way to a ternary
conception of the human condition: nature, society and culture. The last
term could well be equated to language, or that which essentially distinguishes
human society from natural societies.
The
science of Linguistics, as in the case of all the other sciences is based on a
formula which is its foundation. The formula is S/s which means the
signifier over the signified. Lacan gives the credit of discovering this
formula to Saussure although it is not found in that form in any of Saussure’s
lectures.
The beginning of modern linguistics can be
recognized in this formula. The signifier and the signified are seen as
different orders. The arbitrariness of the sign was known even to the ancients.
“…no meaning is sustained by anything
other than reference to another meaning”.
All
languages that exist can cover the whole field of the signified. It being an
effect of its existence as a language that it necessarily covers all the needs.
Lacan
illustrates the classical use of S/s
thus:
TREE
Lacan replaces this with another:
|
|
Lacan
explains this as “the solitary confinement offered” to “Western Man for the
satisfaction of his natural needs away from home, the imperative he shares with
the great majority of primitive communities which submits his public life to
the laws of urinary segregation”.
A little
boy and a little girl seated in a train pulling to a stop mistake the signs for
the name of the station.
Lacan’s
views on the signifier:
►
The
structure of the signifier — reduced to ultimate distinctive features
and combining according to the laws of a closed system.
►
The
signifying chain – rings of a necklace that is a ring in another necklace
made of rings.
►
Only the
correlations between signifier and signifier supply the standard for all
research into meaning, as is indicated by the very notion of ‘usage’.
►
The
signifier always anticipates on meaning by unfolding its dimension before it.
e.g. “I shall never…”, “All the same it is…”, “And yet there may be…” Such
sentences are not without meaning, a meaning all the more oppressive in that it
is content to make us wait for it.
► It is in the chain of signifiers that the meaning ‘insists’ but
none of its elements ‘consists’ in the meaning of which is at the moment
possible.
►
There is
an incessant sliding of the signified under the signifier.
Saussure
holds linearity to be constitutive of the chain of discourse—emission of a
single voice, horizontal position of our writing. Lacan says that linearity is
not sufficient—apply to the chain of discourse in the direction in which it is
oriented—‘Peter hits Paul” reverses its time when the terms are inverted.
One has
to listen to poetry to hear a true polyphony emerge. All discourse aligns
itself along the several staves of a score. [See notes
1]. Signifying chains are suspended vertically.
Tree—see
how it crosses the Saussurian formula: the meaning its takes on in the context
of our flora (strength and majesty), it erects on the barren hill the shadow of
the cross 2, tree of
life, tree of knowledge etc.
The
structure of the signifying chain makes evident the possibility that is insofar
as it exists as a language, to use it in order to say something quite other
than what it says.
Lacan
says that the signifier makes meaning in 2 ways.
Metonymy and Metaphor.
Metonymy
[See notes3]
‘Thirty sails’—the word ‘boat’ is lurking behind—the part taken for the
whole—if we take it seriously we are left with very little idea about the
importance of this fleet—each boat to have one sail is the least likely
possibility. THE
CONNECTION BETWEEN BOAT AND SAIL IS NOWHERE BUT IN THE SIGNIFIER—this is
the word to word connection that metonymy is based. Metonymy is one slope of
the effective field of the signifier in the constitution of meaning.
The other slope is the metaphor3a. “His sheaves were not miserly or spiteful”.
In modern poetry the conjunction of any two signifiers would be equally
sufficient to constitute a metaphor—additional requirement of the greatest
disparity of the images signified, needed for the production of the poetic
spark. The creative spark of the metaphor does not spring form the conjunction
of two images, that is of two signifiers equally actualized. It springs from
two signifiers one of which has taken the place of the other in the signifying
chain, the hidden signifier then remaining present through its metonymic
relation to the rest of the chain. ONE WORD FOR ANOTHER :THAT IS THE FORMULA FOR THE METAPHOR.
[sheaves have replaced Booz, the hero of
the French poem quoted above. They have replaced him at the very spot where he
has to be exalted—but now Booz himself has been swept away by the
sheaves—sheaves have usurped his place—Booz can no longer return—the slender
thread of the word ‘his’ which binds him to it is only one more obstacle to his
return—it links him to the notion of possession which retains him to the very
zone of greed and spite—his generosity is reduced to less than nothing by the
munificence of the sheaves which, coming from nature, know not our caution or
our casting out and in their accumulation remain prodigal by our standards—the
giver has disappeared along with his gift—to rise again in the context of the
burgeoning fecundity—this is what announces the surprise the poem sings, the
promise the old man will receive in a sacred context of his accession to
paternity]
So it is
between the signifier in the form of the proper name of the man, and the
signifier which metabolically abolishes him that the poetic spark is produced.
Metaphor occurs at the same moment at
which sense comes out of nonsense. nonsenseà
sense. If crossed the other way [senseà nonsense] it
becomes ‘wit’. At this frontier we can glimpse at the fact that man tempts his
very destiny when he derides the signifier.
The
spirit could not live without the letter. The letter can produce all the
effects of truth in man without involving the spirit at all. Freud had this
revelation—he called this
discovery ‘the Unconscious’.
2.
|
THE LETTER IN THE UNCONSCIOUS.
Freud
depends too much on philological references—the proportion of linguistic
analysis increasing just insofar as the unconscious is directly concerned. In The
Interpretation of Dreams every page
deals with the letter of the discourse. It is with this work that Freud begins
to open the royal road to the unconscious.
►
The
first chapter announces that the dream is a rebus4. [notes]. Freud
stipulates that it must be understood literally. The same literal structure
persists in the dream through which the signifier in ordinary discourse is
articulated and analyzed.
►
So the
unnatural images of the boat on the roof, or with the man with a comma for the
head which are specifically mentioned by Freud are examples of dream- images
which have significance only as signifiers, insofar as they allow us to spell
out the ‘proverb’ presented by the rebus of the dream.
Distortion
is the general precondition for the functioning of dreams. It is the sliding of
the signifier under the signified as Saussure said.
The two
slopes of the signified are also found here:
Condensation
is the structure of the superimposition of the signifiers. This is the field of
the metaphor.
Displacement
is seen in metonymy. [see notes5]
Lacan
says that dreams are useful to the analysis because they reveal the same laws
whether in the normal person or in the neurotic. Psychoanalysis demonstrates
that the unconscious leaves none of our actions outside its scope.
The
locus of the unconscious
It is
very close to the locus defined by the formula S/s. The incidence (occurrence)
of the signifier on the signified suggests its transformation into:
F (S)
1/s
The
horizontal signifying line—metonymy—can be symbolised thus:
f.(S…S’) S S
(-) s This means that the connection between the
signifier and signifier which permits elision (omission). The signifier inserts
the lack of being into the object relation using the reverberating character of
meaning to invest it with the desire aimed at the very lack it supports. The
line – between ( ) represents the retention of the line in the original formula
marked the irreducibility in which, in the relations between the signifier and
the signified, the resistance of meaning is constituted.
Metaphoric
structure—vertical signifying line—metaphor—can be symbolised thus:
f.
( S’/S) S S
(+)s
This
indicates that it is in the substitution of signifier for signifier that an
effect of signification is produced which is creative or poetic, which is the
advent of the signification in question. The sign + between ( ) represents the
leap over the line.
►
‘I think
therefore I am’6 [see
notes]
Cogito
ergo sum
This is
the link between the transcendental subject and his existential affirmation.
Perhaps I am only object and mechanism and so nothing more than phenomenon, but
assuredly insofar as I think so, I am absolutely. No doubt philosophers have
made important corrections on this formulation, notably that in that which
thinks, I can never pose myself as anything but object. None the less it
remains true that by way of this extreme purification of the transcendental
subject, my existential link to its project seems irrefutable at least in its
present form, and that:
►
‘I
think, therefore I am’ where I think, there I am’—
Cogito
ergo sum ubi cogito, ibi sum
overcomes
this objection. This confirms me to being there in my being only insofar as I
think that I am in my thought; just how far I actually think this concerns only
myself and if I say it, interests no one.
I think
where I am not; therefore I am where I think not.
A man
only deludes himself when he believes his true place is at the axis of S and S,
which is no where. Was no where, that is, until Freud discovered it.
Symptom (in the analytic sense) and metaphor
] Between the enigmatic signifier of a sexual trauma and its
substitute term in a signifying chain there passes the spark which fixes in a
symptom the meaning inaccessible to the conscious subject.
] This
symptom is in effect a metaphor in which flesh or function is taken as
signifying elements.
► Desire and metonymy.
] Eternally
stretching forth for the desire of something else—metonymy.
] It is the
truth of what this desire was in its history which the patient cries out
through this symptom.
è To
interpret the unconscious as Freud did, one would have to be as he was an
encyclopedia of the arts and muses.
è The task
is not made easier by the fact that we are at the mercy of a thread woven with
allusions, quotations, puns, and equivocations.
è The
unconscious is neither primordial nor instinctual; what it knows about the
elementary is no more than the elements of the signifier.
3.
|
Being, the letter and the other.
Is what
thinks in my place another I? Does Freud’s discovery represent the confirmation
on the psychological level of Manicheism? 7[see
notes]
] The
end which Freud’s theory proposes for man was defined by him at the summit of
his thought thus: “I must come to the place where that
(id) was.” The goal is one of reintegration and harmony, even of
reconciliation.
►
We
cannot ignore the self’s radical ex – centricity to itself. Man has to face
this reality. This is the truth discovered by Freud. Within man there is a radical heteronomy
[het·er·o·nym either of two or more words that are spelled the same, but differ
in meaning and often in pronunciation, for example, “bow” (a ribbon) and “bow”
(of a ship) –two meanings, two personalities] gaping within man can never again
be covered.
►
“Then who is this other to whom I am more attached than to myself,
since at the heart of my assent to may own identity it is still he who wags
me?”
The presence of the other is a second degree of otherness. It is the position of mediating between me
and the double of my self, as it were my neighbor. The unconscious is
the discourse of the Other.
Freudianism
has founded a radical revolution. No need to collect witness to the fact.
[Francois Mauriac—history of our body—to write the history of oneself is to
write the confession of the deepest part of our neighbor’s souls as well.]
Everything
involving not just human sciences, but the destiny of the man, politics,
metaphysics, literature, art, advertising, propaganda—everything has been
affected.
“If I speak of being and the letter, if I
distinguish the other and the Other, it is only because of Freud”.
For the
symptom is a metaphor whether one likes it or not, as desire is a metonymy for
all that men mock the idea.
Notes:
1. Score, musical notation for a multipart
composition, in which the music to be performed by each voice or instrument is
written on a separate staff, all the staves being aligned one above another.
2. tree = a gallows (archaic ), in Christianity, the cross on which Jesus
Christ was crucified (archaic )
3. Metonymy, use of a word or phrase for
another to which it bears an important relation, as the effect for the cause,
the abstract for the concrete, and similar constructions. Examples of metonymy
are “He was an avid reader of Chaucer,” when the poems of the English writer
Geoffrey Chaucer are meant, and “The hostess kept a good table,” when good food
is implied.
Synecdoche, figurative locution whereby the
part is made to stand for the whole, the whole for a part, the species for the
genus, and vice versa. Thus, in the phrase “50 head of cattle, ””head” is used
to mean whole animals, and in the sentence “The president's administration
contained the best brains in the country,””brains” is used for intellectually
brilliant persons.
3a. Jacobson formulates one of the basic
principles of Saussurian linguistics, that language, like all system of signs
has a two-fold character, involving two distinct operations, selection and
combination. To produce a sentence like ‘Ships crossed the seas’, we select
words we need from the appropriate sets or paradigms of the English language
and combine them according to the rules of the language. If we substitute
‘ploughed’ for ‘crossed’, we create a metaphor based on a similarity between
things otherwise different—the movement of a ship through water and the
movement of a plough through the earth. If we substitute ‘keels’ for ‘ships’,
we use the figure of synecdoche —part for whole or whole for part. If I
substitute ‘deep’ for ‘sea’ I have used the figure for metonymy (an attribute
or cause or effect of a thing signifies the thing). According to Jacobson,
synecdoche is a subspecies of metonymy: both depend on contiguity in space/time
(the keel is part of the ship, depth is a property of the sea), and thus
correspond to the combination axis of the language. Metaphor, in contrast,
corresponds to the selection axis of the language, and depends on similarity
between things not normally contiguous. Those who suffer from aphasia (language
disorder) tend to be more affected in one or other of the selection and
combination functions. Those who suffer from ‘selection deficiency’ or
‘similarity disorder’ are heavily dependent on context or contiguity to speak,
and make ‘metonymic mistakes’, substituting ‘fork for ‘knife’, ‘table’ for ‘lamp’
etc. Conversely, persons suffering from ‘contexture deficiency’ are unable to
combine words into a grammatical sentence, and make ‘metaphorical mistakes’ –
‘spyglass’ for ‘microscope’, or ‘fire’ for ‘gaslight’.
4. A rebus is a puzzle in which pictures represent
words or syllables [.e.g. veena]
5. Condensation is the process
through which one element in the dream may represent more than one
dream-thought and refer to more than one event; anxiety etc. in the dreamer’s
waking life. The multiple sources of a given dream image usually turns out to
be contiguous in the dreamer’s life.
Displacement refers
to the way a dream is often differently centred from the preoccupations which
give rise to it, a trivial event in reality being of prime importance in the
dream. Freud links this phenomenon very closely to condensation and uses the
same examples to illustrate it.
6. the famous axiom of the famous French
rationalist philosopher, Descartes (1596- 1650).
In Meditations Descartes asked how
we might know the truth of our beliefs and our perceptions of reality. He
suggested that we could only do this scientifically if we rejected everything
that we had cause to doubt and then saw what remained with certainty as true.
Te difficulty with this approach, Descartes observed, is that it could lead one
onto more difficulties and uncertainty that the position from which one
originally started. One would have to accept, as Descartes put it, that ‘there
was nothing at all in the world: no sky, no earth, no minds or bodies. Descartes
concluded that all we could be certain of was the existence of God and
ourselves.
“There is therefore no doubt that I exist,
if he (God) deceives me; and let him deceive me as much as likes, he can never
cause me to be nothing, so long as I think I am something. So that after having
though carefully about it, and having scrupulously examined everything, one
must then, in conclusion, take as assured that the proposition: I am , I exist,
is necessarily true, every time I express it or conceive of it in my mind”.
7. Mani was born into an aristocratic
Persian family in southern Babylonia (now in Iraq). At the ages of 12 and 24,
Mani experienced visions in which an angel designated him the prophet of a new
and ultimate revelation. On his first missionary journey, Mani reached India,
where he was influenced by Buddhism. With the protection of the new Persian
emperor, Shapur I (reigned 241-72), Mani preached throughout the empire and
sent missionaries to the Roman Empire. The rapid expansion of Manichaeism
provoked the hostility of the leaders of orthodox Zoroastrianism, and when
Bahram I (reigned 274-77) succeeded to the throne, they persuaded him to have
Mani arrested as a heretic, after which he either died in confinement or was
executed.
Mani proclaimed himself the last prophet in
a succession that included Zoroaster, Buddha, and Jesus, whose partial
revelations were, he taught, contained and consummated in his own doctrines.
Besides Zoroastrianism and Christianity, Manichaeism reflects the strong influence
of Gnosticism.
The fundamental doctrine of Manichaeism is
its dualistic division of the universe into contending realms of good and evil:
the realm of Light (spirit), ruled by God, and the realm of Darkness (matter),
ruled by Satan. Originally, the two realms were entirely
separate, but in a primal catastrophe the realm of Darkness invaded the realm
of Light, and the two became mixed and engaged in a perpetual struggle. The
human race is a result and a microcosm of this struggle. The human body is material,
therefore evil; the human soul is spiritual, a fragment of the divine Light,
and must be redeemed from its imprisonment in the body and the world. The path
of redemption is through knowledge of the realm of Light imparted by the
succession of divine messengers that includes Buddha and Jesus and ends in
Mani. With this knowledge the human soul can conquer the carnal desires that
perpetuate its imprisonment and so ascend to the divine realm.
Dr. S. Sreekumar
Your post is helpful to avoid the mistakes.
ReplyDeletehttps://blog.mindvalley.com/define-unconscious/
Its marvelous information, thanks for adding more knowledge in me through this notes
ReplyDeleteCopying from Devid Lodge book. Not helpful at all
ReplyDelete