Showing posts with label Shakespeare. Show all posts
Showing posts with label Shakespeare. Show all posts

Thursday, 8 December 2016

SHAKESPEARE’S FINAL PLAYS

SHAKESPEARE’S FINAL PLAYS
DRAMATIC ROMANCES
TRAGI-COMEDIES
LAST PLAYS
[Lecture notes given to graduate students—S. Sreekumar]
After the tragedies, Shakespeare, perhaps working from Stratford, seems to have discovered a new vein; and it is widely agreed that the Last Plays—the Romances, as they may with some accuracy be labeled—form a distinct group, being, in the words of Philip Edwards ‘more closely related than any other group of Shakespeare’s plays’. The dates of their composition are conjectural, but reasonably secure for all except the first: Pericles (1607), Cymbeline ( 1609), The Winter’s Tale (1610) and The Tempest (1611).

Wednesday, 7 December 2016

SHAKESPEARE—THE HISTORY PLAYS

SHAKESPEARE—THE HISTORY PLAYS


[Notes prepared for graduate students—S. Sreekumar]

The defeat of the Spanish Armada in 1588 generated tremendous popular enthusiasm for the history and traditions of the past. Some three hundred historical plays were written during that period. Peele wrote Edward I, Marlowe wrote Edward II, and Greene wrote James IV. Shakespeare wrote ten plays based on British History.

They are:--
King John, Richard II, Henry IV Part I & Part II, Henry V,
 Henry VI Part I, Part II & Part III, Richard III and Henry VIII.


Tuesday, 18 October 2016

THEMES IN THE PLAYS OF SHAKESPEARE




THEMES IN THE PLAYS OF SHAKESPEARE

Themes

          Themes are the ideas/concepts that William Shakespeare explores through the dramatic experience of his characters. Themes define the plays. There are some common themes reiterated through many plays. For example, the difference between appearance and reality is a theme which appears again and again in Shakespeare. We can see this theme highlighted in tragedies like Othello and King Lear. ‘I am not what I am’, says Iago. This statement can be considered a maxim as it highlights the fissures between appearance and reality. This theme is repeated in the comedies also, however in a light-hearted manner. Twelfth Night offers us the best example for this. In fact, the whole play revolves round the divergence between perception and actuality. What the characters perceive to be true is diametrically opposite to the reality of the situation.
Other prominent themes that find their place in Shakespeare’s oeuvre are: change; order and disorder; and conflict. These were matters that deeply perturbed Shakespeare as he observed the world around him. His tragedies offer us profound statements on the above themes. Tragic consequences that follow when the established order is disrupted is the theme of Macbeth, Hamlet and King Lear. Restoration of order brings back normalcy to the world of these dramas. 

Sunday, 16 October 2016

IMAGERY IN SHAKESPEARE




IMAGERY IN SHAKESPEARE
Dr. S. Sreekumar
Imagery
Merriam-Webster defines imagery as the “language that causes people to imagine pictures in their minds”. Mental images created in the mind of the reader/listener are products of imagination. For example, when we come across a sentence like the following—
            ‘It was dark and dim in the forest’ —the words ‘dark’ and ‘dim’ create visual images in our mind. This is imagery at its simplest form. However, master craftsmen like Shakespeare had created complicated mental images through the clever use of language. Romeo praises Juliet thus in Act I Scene V—
            O, she doth teach the torches to burn bright!
            It seems she hangs upon the cheeks of night
            Like a rich jewel in an Ethiope’s ear
Rich mental images are employed here to convey the beauty of Juliet. Juliet teaches the torches to burn bright by her example. Torches dispel darkness in the night. [In Shakespeare’s England they were the only means to drive away darkness.] The poet goes on to compare Juliet to a rich jewel that hangs upon the cheeks of night, as in the ears of an African woman. Here the comparisons get multi-dimensional. The night is as black as the African woman. Her face is brightened because of the bright jewel she is wearing. Similarly Juliet brightens the dark night. Then there is a subtle implication that Juliet is unaware of her beauty as the African woman is unaware of the price of the rich jewel she is wearing. These explanations do not exhaust the meaning. Thus we can see that the use of imagery aids the reader’s imagination by enlarging his senses.